I had a little hiccup in my summer reading plans. I was prowling a bookstore with my kids (a very routine occurrence) when I came upon Mary Pearson's THE ADORATION OF JENNA FOX. It was not on my reading list but I just LOVED the cover and was so intrigued that I had to pick it up. You know a book is good when you take it to bed, read to the final page (including the author interview, reading guide and teaser chapter of her next book), look up at the clock and it's 3 a.m.
It is difficult to write a review of this novel without giving too much away and I'd hate to do this because the book is paced so artfully that I'd hate readers to miss that wonderful technical element or ruin any twisty surprises. Suffice to say that seventeen-year-old Jenna wakes up from a year-plus coma in a new home, on a new coast and things are not right. Her parents, desperate to regain the pre-accident Jenna, show her videos of every year of her life, wait for her to remember. But, though Jenna's memories return, she discovers strange disconnects between her past and present, recalls things she should not remember. The novel, a fascinating mystery set in a frighteningly plausible near-future, explores the essence of identity, the question of whether self is defined internally or by the experience of others, and much more.
Given my penchant for literary pairings, I must say that I immediately thought this book would read wonderfully along with Nancy Farmer's HOUSE OF THE SCORPION, another spectacular literary rumination on self, soul and humanity paired with an equally fascinating plot. These two books and a nice pitcher of iced tea would make just about a perfect weekend!
Showing posts with label literary pairings. Show all posts
Showing posts with label literary pairings. Show all posts
Friday, June 25, 2010
Friday, May 28, 2010
THIS WEEK WE ARE RE-READING: PROSAIC PAIRINGS
You know how I love reading books in pairs. This week, due to heavy work deadlines, I'm sharing a few old favorites. Here are three book duets that are as fun and fascinating to read together as peanut butter and chocolate are to eat!
A LITTLE PRINCESS by Frances Hodgson Burnett and THE PRINCESS DIARIES by Meg Cabot: Whether a princess of wealth becomes common or a commoner discovers she's a princess, it's the strong heart of the girl underneath the scraps or silks that holds readers from cover to cover.
SHABANU: DAUGHTER OF THE WIND by Suzanne Fisher Staples and THREE CUPS OF TEA by Greg Mortenson (a nice teen reader edition of this book is also available): Poignant fiction and nonfiction portrayals of young Pakistani women. Staples has written two sequels to SHABANU--HAVELI and THE HOUSE OF DJINN--also great reads.
1984 by George Orwell and LITTLE BROTHER by Cory Doctorow: "Big Brother" totalitarianism explored through fiction in 1949 and 2008--fun to see the real and imagined technologies and political landscapes as depicted by two powerful thinkers and writers. And check out Doctorow's new YA title, FOR THE WIN, set in the world of Internet gaming.
Please let me know if you're interested in guest posting about a pair of favorite titles. Pick your Friday and send an email to stasiakehoe (at) msn (dot) com.
A LITTLE PRINCESS by Frances Hodgson Burnett and THE PRINCESS DIARIES by Meg Cabot: Whether a princess of wealth becomes common or a commoner discovers she's a princess, it's the strong heart of the girl underneath the scraps or silks that holds readers from cover to cover.
SHABANU: DAUGHTER OF THE WIND by Suzanne Fisher Staples and THREE CUPS OF TEA by Greg Mortenson (a nice teen reader edition of this book is also available): Poignant fiction and nonfiction portrayals of young Pakistani women. Staples has written two sequels to SHABANU--HAVELI and THE HOUSE OF DJINN--also great reads.
1984 by George Orwell and LITTLE BROTHER by Cory Doctorow: "Big Brother" totalitarianism explored through fiction in 1949 and 2008--fun to see the real and imagined technologies and political landscapes as depicted by two powerful thinkers and writers. And check out Doctorow's new YA title, FOR THE WIN, set in the world of Internet gaming.
Please let me know if you're interested in guest posting about a pair of favorite titles. Pick your Friday and send an email to stasiakehoe (at) msn (dot) com.
Tuesday, May 4, 2010
THIS WEEK WE ARE READING...
Okay, I confess, I am an uber-book-nerd. When I decided to read WILL GRAYSON, WILL GRAYSON by John Green and David Levithan, I could not resist making this choice into a literature course by picking up NICK & NORA'S INFINITE PLAYLIST by Rachel Cohn and David Levithan as well.
There are so many reasons to read these books together: Two examples of David Levithan co-writing with other awesome YA authors. Two books structured in alternating chapters from two points-of-view. Two books packed with edgy dialogue in which characters journey across richly depicted music-scene landscapes and through virtual universes which can yield as much real joy and heartbreak as their brick-and-mortar counterparts. In sum, two very in-the-moment, in-our-time novels.
I started with NICK & NORA, mostly because my secretary (suffering from an ear infection) seemed to perfectly embody Nick at the start of the story (though the heartbreaking/heartbroken cone around Nick's neck would certainly be metaphorical). (And, oh, come on, I had to post this pic!) The language in this novel is so stylized, so sharp, that it took me awhile to get into the book's rhythm. But the characters were so compelling, their heartbreaks and insecurities so intensely portrayed, that I had to follow. WILL GRAYSON was easier for me to begin, perhaps because I'd just finished NICK & NORA or maybe because this story begins with the unforgettable Tiny and the description of an endearing friendship.
The thing that works most for me in both novels was the way the structure enriches the ideas being explored. In both books, the dual teenage protagonists are defined by other people and things--music choices, the people who dumped them, the friendships they've managed to hold onto. It seems to me this is a critical experience of teen life--identifying yourself by the group to which you belong, or the activities in which you choose to participate, without necessarily stopping to reflect deeply on the role you play in these dynamics (which can lead to some challenging situations).
The binary structure of both of the novels allows readers to see one narrative as a foil for the other and to choose which character, which narrator, most closely represents their own identity and situation. In this way the reader, along with the protagonists, is defining himself or herself in terms of what they see outside, or on the page. While each novel plays out in its own unique way, both are journeys in which the characters ultimately make a connection with a person who enables them to look inward with honesty and, as a result, to become a little more themselves.
To analyze these books in depth would be a very long term paper indeed. I could probably do five pages on the significance of the titles alone (maybe that's why I love writing reading guides). Today, however, I'll conclude with recommending these two titles as must-read YAs.
Do you have any books that you recommend reading as a pair? Please let me know as I can never get enough term paper assignments :)
There are so many reasons to read these books together: Two examples of David Levithan co-writing with other awesome YA authors. Two books structured in alternating chapters from two points-of-view. Two books packed with edgy dialogue in which characters journey across richly depicted music-scene landscapes and through virtual universes which can yield as much real joy and heartbreak as their brick-and-mortar counterparts. In sum, two very in-the-moment, in-our-time novels.
I started with NICK & NORA, mostly because my secretary (suffering from an ear infection) seemed to perfectly embody Nick at the start of the story (though the heartbreaking/heartbroken cone around Nick's neck would certainly be metaphorical). (And, oh, come on, I had to post this pic!) The language in this novel is so stylized, so sharp, that it took me awhile to get into the book's rhythm. But the characters were so compelling, their heartbreaks and insecurities so intensely portrayed, that I had to follow. WILL GRAYSON was easier for me to begin, perhaps because I'd just finished NICK & NORA or maybe because this story begins with the unforgettable Tiny and the description of an endearing friendship.
The thing that works most for me in both novels was the way the structure enriches the ideas being explored. In both books, the dual teenage protagonists are defined by other people and things--music choices, the people who dumped them, the friendships they've managed to hold onto. It seems to me this is a critical experience of teen life--identifying yourself by the group to which you belong, or the activities in which you choose to participate, without necessarily stopping to reflect deeply on the role you play in these dynamics (which can lead to some challenging situations).
The binary structure of both of the novels allows readers to see one narrative as a foil for the other and to choose which character, which narrator, most closely represents their own identity and situation. In this way the reader, along with the protagonists, is defining himself or herself in terms of what they see outside, or on the page. While each novel plays out in its own unique way, both are journeys in which the characters ultimately make a connection with a person who enables them to look inward with honesty and, as a result, to become a little more themselves.
To analyze these books in depth would be a very long term paper indeed. I could probably do five pages on the significance of the titles alone (maybe that's why I love writing reading guides). Today, however, I'll conclude with recommending these two titles as must-read YAs.
Do you have any books that you recommend reading as a pair? Please let me know as I can never get enough term paper assignments :)
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