Showing posts with label fiction writing. Show all posts
Showing posts with label fiction writing. Show all posts

Wednesday, May 21, 2014

Attention Eastside Writers: FREE WRITING WORKSHOP on MAY 24

THE FINAL SESSION of my current WRITERS WORKSHOP SERIES (free & open to the public)
 will be held this Saturday, MAY 24, from 11 AM - 1 PM 

at the Woodinville Branch of the King County Library System, Avondale Road, Woodinville, WA

The final session will cover three topics.
  • CRAFT: WORD CHOICE (the question of adverbs!)
  • BUSINESS: HOW DO YOU BEGIN AN AGENT SEARCH to get your BOOK PUBLISHED (with some thoughts on query letters)
  • WRITING LIFE: SUMMER WRITING PLANS

Whether or not you have attended previous sessions, you are welcome to attend. Classes are open to writers ages 13 to 103! Bring a pencil & paper!

PS Seriously, I know it's Memorial Day Weekend but how many BBQ's do you need to attend? Come and write!

Friday, December 6, 2013

Craft Chat: THE BOY VOICE

My current w-I-p is the only the second time I've used a male protagonist. (The first time was a (rightfully) never-published fantasy featuring an anthropomorphic tweenage rat-like character so, yeah.) The voice came to me quite clearly. It is supported daily by living in a house with three teenage boys (and their friends). Still, it is scary crossing the gender line. I feel like I need to use extra caution. I am deleting and changing more lines because they don't feel "boy" than I tend to do when I write girls. I feel a strong sense of obligation to do this correctly so that the final product doesn't feel like an abstract, non-gendered narrator but truly like a guy. (I won't cite any specific works here but I have read several novels in which I get this sense of "stock" character and not rich, specific masculine individual.)

Sometimes, when I feel extra terrified by the task upon which I have embarked, it is helpful to see that it can and has been done before. This Publisher's Weekly article has a list of adult titles of this type. Looking over my own reading list for examples, I invite you to read Kendare Blake's fantastic ANNA DRESSED IN BLOOD, Megan Whalen Turner's THE THIEF, Melina Marichetta's THE PIPER'S SON, Philip Pullman's delightful Sally Lockhart mysteries and, of course, John Green's Hazel in THE FAULT IN OUR STARS for a start. This list of male protagonists from The Faculty Lounge includes a few other women who have risen to the gender challenge work (um, J K Rowling!). 

Have you tried writing across gender lines? Do you have another title to add to my reading list? Do you think this type of writing requires more care and, if so, what kind of care?

Thanks in advance for your advice!

Monday, November 18, 2013

Craft Chat: Researching Your Fiction

I'm deep in the muck of a new manuscript. I KNOW my protagonist and, on my best days, really hear his voice in my head. The imaginary people and places splash onto the page sometimes faster than I can type. What gets me stuck? FACTS!

I discovered when I was writing THE SOUND OF LETTING GO that there was a LOT I didn't know about trumpets, Youth Orchestras, and especially autism. To write the best work of FICTION I could manage, I needed information to be sure my scenarios were plausible, my characterizations and descriptions authentic. What did I do?
  • PRIMARY RESEARCH: Sought out and interviewed teen trumpet prodigies, psychiatrists and psychologists who treated people with autism in residential settings, parents and siblings of teens on the low-functioning end of the autism spectrum.
  • READING: I read non-fiction books about autism, musical prodigies, family therapy strategies. I read fiction about and by folks on the autism spectrum.
  • ONLINE EXPLORATION: I scoured the Autism Speaks and Autism Society websites, connected with some amazing people, including the director of the Sibling Support Project.
  • VERIFICATION: I had my manuscript vetted by readers who worked in the autism field to make sure my finished product held up.
In the service of my new w-I-p, I am now interviewing police officers, and reading a lot about all kinds of things (secret for now). Although it takes time and effort, in the end, having a solid grasp of the facts frees me to write my very best fiction.

For a wonderful and poetic musing on this topic, check out Caroline Starr Rose's ODE TO A RESEARCH NOTEBOOK here!

Monday, October 28, 2013

I don’t write POETRY either

I don’t think I’ll ever forget the writing conference I attended (quite a few years back now) where an editor read aloud a page of my work then made a rather sharp comment about being “careful about the difference between poetry and split line prose.” Truth? It gutted me. I went back to my work and tried to figure out a way to weed out the split line prose. I reviewed my favorite poetry collections…checked all the poems magnetized to my refrigerator…reread favorite verse novels by Sharon Creech, Jacqueline Woodson, Sonya Sones, Ellen Hopkins, Caroline Starr Rose, Guadalupe Garcia McCall…delved into my beloved Paul Fussel’s POETIC METER & POETIC FORM for the zillionth time…

Here’s what I discovered.
There’s split-line prose in a great deal of poetry. And LOTS of it in verse novels. Because, to build an entire novel, you may want the reader to be able to hold onto plot, syntax.  That requires the incorporation of prose elements. THE ART LIES IN…
  • where you choose to break each line
  • creating subtle internal rhymes and motifs, and sometimes even poems within poems (see Hopkins’ work)
  • the juxtaposition of abstract verses with strong, linear text
  • choosing only the best words, unobstructed by grammar traditions but constricted by holding onto the verse format, to get close to the bone--to depict raw, visceral emotion
  • using the freedom and flexibility of the verse structure to reflect shape, movement, music, the act of reading, and other abstract creative notions through form
  • understanding the value of structure, white space...choosing what words to leave off the page
It’s funny. I think of myself as both a POET and NOT-A-POET. I do not know whether this is because I am afraid to commit; because I’m really not sure; because I fear I won’t be fully accepted by either more definitive poets or more traditional novelists; or because I am happy in this nether-space called VERSE NOVELIST—it’s where I sing.

Monday, September 16, 2013

Flipping that Playlist - A Fun Writing Exercise

These days lots of writers share playlists--collections of songs that inspired their novels, helped them develop characters, etc.  I have such a roster of tunes for THE SOUND OF LETTING GO. As a forty-something, I like a lot of songs teen readers that may be unfamiliar to teen readers. Luckily, I am also the mom of two teenagers and, as such, have been exposed to a lot of great post-millennium bands and tunes. So my playlists are a bit of a mix of "vintage" and new stuff.

Today, though, I want to talk about a cool writing exercise I have discovered. Instead of finding
music to reflect the thoughts and moods of a character, I listen to the tracks my sixteen-year-old plays when I pick him up from school. They speak a lot to his mood and current concerns. And I build in my head a story about a character living out the same playlist he is choosing.

Give it a try: Ask a teenager to give you a list of three to five songs to play. Write the story those songs sing to you.

For me, it can be very freeing to not have to find the songs to fit into some character box, but instead to build the box that could hold songs you did not choose.

Lemme know how it goes for you.

Monday, July 22, 2013

Craft Chat: The "Why" of Mysteries and the issue of Immortality

A touch of insomnia this past week found me watching PBS at 3 AM which is how I discovered a terrific Masterpiece Mystery series. ENDEAVOR, charismatic (and handsome) Shaun Evans, explores the early career of detective Endeavor Morse, masterfully portrayed by the late John Thaw in the earlier series, INSPECTOR MORSE.


How does this relate to writing craft?

As a child, I was an avid mystery reader, devouring Nancy Drew, Arthur Conan Doyle, Agatha Christie, Josephine Tey, and Dorothy Sayers. In my late teens through early thirties, books by Elizabeth George, Marcia Muller, Sue Grafton, Dennis Lehane, and Morse's creator, Colin Dexter, sat on my nightstand. Mystery novelists were some of my first instructors on plot, pacing, use of setting to create mood, and developing the character of your protagonist.

Then, one day, I stopped reading mysteries. Why? Pretty much every detective novel I read started out with a death. Not that that initial death is the point of a mystery novel. Mystery novels are most often not about the victims but about the detectives (pro or amateur) who discover their killers. Regardless, all those first-chapter corpses started to bother me. I stopped reading potboilers, stopped watching tv mysteries, like Prime Suspect and Poirot.

Until the wee hours of that recent morning when Shaun Evans' performance revealed this to me: Detectives are often tortured souls because they are philosophers. They embody our need to understand the inevitable outcome of human existence: death. Murder mysteries are not celebrations of criminal cunning but explorations of the minds that seek to figure out a reason one person becomes responsible for another dying. Because if a detective can find this answer, it might point him or her to a reason for living.

When asked the inevitable author question, "Why do you write?" I often tell people that it's my stab at immortality. Yes, it's a compulsion and a (sort of painful) joy, but it is also fired by a need to be remembered, to leave something behind, to prove I existed for a window of time.  Perhaps my occasional discomfort with the murder mystery genre stems from the fact that detective novelists pursue this immortality on both literary and meta-levels. Through the act of writing. The use of death as a plot catalyst. The employ of a hero/anti-hero detective who is both searching for a perpetrator of death and struggling with his/her own mortality or other personal/ethical dilemma. I feel like they are turning a mirror back on author-me and I'm not sure I feel about my reflection.

Gah, this reads like an English paper!

Go watch Endeavor and tell me what you think.

Wednesday, October 5, 2011

October for Arts!!!

The Page Turners Blog is featuring novels
about the performing arts all month in this cool feature:


They're featuring Audition this week and more great arts books later this month.
And, lest we have no midweek fun, check out this New York Times article dishing about writers' dining delights. What's your favorite by-the-keyboard treat?
 
Here's mine:
 


Friday, February 25, 2011

Frankly Friday: LITERARY LAUNDRY & A NEW LINKY

THE BOOKANISTAS have joined forces with THE READING ROOM to spread book love around the globe!

Click here to join The Bookanista Book Club at The Reading Room where you can check out all the books we're buzzing about!

NOW, ON TO SHARING SOME LITERARY LAUNDRY...
It's clean.  Honest.  I washed it all and carried it as far as the front hall.  Note the internal rhyme in the previous sentence.  Far more poetic than domestic.


Do your kids dress out of the laundry basket?  Have you spritzed on the Chanel and worn that cute sweater two days running?  Do tell (or leave a link) in the comments below. And you can win stuff.

CONTEST RULES...

At 9 PM Pacific Time this Sunday (2/27), all folks who've left a comment on a Frankly Friday post from this month (2/11,18 or 25) will be entered in a drawing to win the LITERARY DOMESTICITY SUPRISE PRIZE (part awesome arc, part just funny)! US and Canada mailing addresses only, please. If you follow/friend me on Twitter/FB and/or Tweet/FB about Frankly Friday's February Prize, let me know in your comment and you'll be entered twice (honor system). Randomly drawn prize-winner will be announced on Monday, February 28th. Best and comments will be featured here at the blog in March.

Friday, February 18, 2011

FOLLOW FRIDAY, UN-FRENCH TOAST & YA LIT with CONTEST...Ooh, prizes!


Busy, busy here at the blog. 
So, here's the news-by-number

1 I'm taking part in Parajunkee's View's Follow Friday.  The question, courtesy of Dreaming About Other Worlds, is If you are a fan of Science Fiction what is your favorite book? If you haven't read SciFi before...any inkling to?

While I love contemporary, fantasy and dystopian YA, I'm not a huge sci-fi reader BUT Orson Scott Card's ENDER'S GAME rocks and Louis McMaster Bujold's world-building is a lesson to writers of any genre.

2 SOME UN-FRENCH TOAST: A photo journey through some of the bread products I've forgotten in the toaster after being seized by writerly inspiration...


Got a sad story about scorched spaghetti or a destroyed saucepan?  Have you blogged about food ruined while writing?  Think I should cut down buy a new toaster?  Do share in the comments below.  And you can win stuff.

CONTEST RULES...
3 At the end of this month, all Frankly Friday commenters will be entered in a drawing to win the LITERARY DOMESTICITY SUPRISE PRIZE (part awesome arc, part just funny)! US and Canada mailing addresses only, please. If you follow/friend me on Twitter/FB and/or Tweet/FB about Frankly Friday's February Prize, let me know in your comment and you'll be entered twice (honor system). Randomly drawn prize-winner will be announced on Monday, February 28th.  Best links and comments will be featured here at the blog in March.

COME BACK MONDAY FOR BIG NEWS
(Hint: It's about a shiny piece of paper that goes over a book.)

Have a book-tastic weekend! 

Friday, February 11, 2011

Frankly Friday: LITERARY LIFE & TODDLER TV--CONTEST WITH PRIZES!


It turns out even the most tv-addicted preschooler will lose interest if you try to get them to watch (hypothetically) five hours of Wonder Pets while you finish copyedits.


Have you failed your kids, spouse, or pet for the sake of your manuscript?  Do you have a woeful tale of forgotten drycleaning, missed orthodontist appoinmtents, or running out of doggie's prescription ear meds? Do tell (or leave a link) in the comments below.  And you can win stuff.

CONTEST RULES...

At the end of this month, all Frankly Friday commenters will be entered in a drawing to win the LITERARY DOMESTICITY SUPRISE PRIZE (part awesome arc, part just funny)! US and Canada mailing addresses only, please. If you follow/friend me on Twitter/FB and/or Tweet/FB about Frankly Friday's February Prize, let me know in your comment and you'll be entered twice (honor system). Randomly drawn prize-winner will be announced on Monday, February 28th. Best links and comments will be featured here at the blog in March.

Saturday, November 27, 2010

Shopping? Hah!

Nope.  Writing.  And researching. 

I've got a couple layers of what I call texturing that I'd like to add to my new ms and I want to make sure they have the ring of authenticity.  So, after a couple of hours of writing, I hit the books.  Yeah, I know I write fiction but research is still critical to make sure the world I am writing about feels as real as it can be--that every reference, metaphor, allusion made by my characters is done in the vocabulary of their environment, informed by their interests.

In the last couple of years, I feel that my understanding of and process for revision has really evolved.  And research has been a part of this development.  The more I feel that I know what my characters know (not just about feelings or backstory, but about actual things--sports, hobbies, foods, television shows, whatever), the better I feel I can represent them on the page.

It's a time consuming step, but sometimes research can really shake a creative knot loose, too.

How do you fit research into your creative writing and/or revision process?

Monday, November 22, 2010

Guest Blogger Becca Puglisi on WRITERS WHO ALSO ____


Welcome to Becca Puglisi, co-host of the blogstastic The Bookshelf Muse, SCBWI member, historical fiction and fantasy writer, wife and mother.  I got in touch with Becca after hearing she'd returned to blogging after a break for that mothering thing and, as a writer-mom myself, I asked her to share some thoughts (and tips) about juggling all those hats!

Are you one of those enviable people who makes a comfortable living solely from your income as a writer? If so, this post is not for you. And you should probably be writing it instead of me.

I think most of us are better defined as Writers Who Also _____. I am a writer who is also a wife, mother of two toddlers, and active in ministry at church. As important as writing is to me, no one is starved, neglected, or endangered by mountains of dirty laundry when I don't get around to doing it. As such, writing tends to fall to the bottom of my priority list.

As I connect with more and more writers, I find that the majority of us are in the same boat. Here are a few tips I've found to stay focused on writing while not abandoning the rest of my responsibilities:

1. Prioritize

What are the priorities in your life? What things demand and deserve your attention? Make a list—yes, an actual list—and order it by importance. Everything can't carry the same weight, or you'll end up fulfilling that age-old cliché: if you try to please everyone, you'll end up pleasing no one. Or however it goes. A physical list lets you see which items absolutely must get done and which ones are more forgiving. Once you've determined where your time should be spent, schedule it out.

2. Be Flexible

I'm a scheduler. My calendar includes not only birthdays and appointments, but also which days of each week I will spend writing, dates that blog entries have to go up, and which evenings my husband and I will pray together. Seriously. Prayer Time with Spouse = Scheduled. That being said, I've found that rigidity is the biggest enemy of creativity. Make your schedule, but be flexible. If you were planning on writing during naptime but found ants parading through the closet and now you have to spend an hour calling pest control companies (hello, last Tuesday), don't sweat it. Write that evening instead, or write on one of the days you had left open for unforeseen catastrophes. Or simply write one day less that week than you had planned. Missing a day here or there does not the end of the world make.

3. Be Realistic

Know that your goals are going to take longer now to reach than they did before you had kids, or got married, or took on more responsibilities at __. You're not going to accomplish your writing goals as quickly as a full-time writer, or even many part-time writers (insert name of that writer friend you know who's in a different stage of life and can devote many hours a day to writing). But you will reach your goals if you keep moving forward. Remember the tortoise and the hare: slow and steady wins the race. I saw this on Elmo just last week, so it's clearly still relevant. Stick with it and you'll get there in your own time.

4. Don't Forget the Magic Word

Channel Nancy Reagan and Just Say No. In other words, don't over commit. Granted, situations do arise that we have to take charge of (see ants, above) or that we really should involve ourselves in (a need that you are uniquely gifted to meet and can devote time to). But if your week is already full, if you're emotionally tapped, if you know that your current responsibilities will suffer if you take on whatever new opportunity has come your way, then respectfully decline. And refuse to feel guilty about it.

Thanks Becca!

Wednesday, November 17, 2010

Wordy Wednesday: GUTLESS WONDER


(okay, not a super-
relevant image but
pretty hilarious)
 So, my wonderful agent and I have been emailing about my new manuscript.  I've been working hard on revisions and had been planning to send her the 2.5-ish draft this past Monday.  Then, I clutched.  I've never actually send a work-in-progress to anyone besides my critique group buddies and a few trusted friends and beta readers.  I'm beginning to discover that I'm a bit of a perfectionist and the thought of my agent seeing something I don't feel is as close to perfect as I can get it is giving me a severe stomach ache (not to mention the insomnia).

I've decided my new superhero name should be "Gutless Wonder."  My previous superhero name around the house was "Vomit Girl" because I can clean up vomit or any other foul child- or pet-related substance without getting queasy.  Turns out my stomach is weaker when my writing is involved.  Ironic, huh?

Friday, November 12, 2010

Fiction Friday: UN-FRYING THE EGG

Why is it that I feel I'm heads-down-writing all the time?  Oh, yeah, because I am.  Weird thing is that I'm both loving it and feeling overwhelmed and afraid I'm on the verge of burn-out all the time.  In essence--I'm afraid I'm getting fried.
In the interest of keeping up this pace (which is often, between waves of despair and anxiety,quite joyful), I've decided to make a list of ways to sooth the heat, keep burnout at bay...to un-fry the creative egg.

1. A cup of hot apple cider and dark chocolate with bits of toffee in it.
2. Running on the treadmill while watching Regis (who can help admire a guy who's so old yet so much like the Energizer bunny?).
3. Showering with a ridiculously expensive body wash that has a fancy name but really just smells to me like tangerines.
4. GLEE (even the weaker episodes).
5. Reading favorite blogs and leaving comments to make sure their writers know how much I LOVE them!
6. Reading poems by Henry Taylor or Emily Dickinson.
7. Making a giant pot of soup that will last for days.
8. Surprising my kids at the bus stop with Starbucks hot chocolates and letting the conversation roll as we drive home super-slowly.
9. Singing show tunes--and sometimes through entire musicals (warning, neighbors, I am LOUD).
10. Dancing around the house in stocking feet.

How do you UNFRY?

Wednesday, November 10, 2010

Wordy Wednesday: A WONDERFUL WEEKEND

This past weekend was spent gearing up for another revision pass at my new manuscript.  No, not by eating too much chocolate and complaining about the evanescence of time.  I attended an SCBWI Western Washington writing retreat coordinated by the amazing Jolie Stekly

This year, Jill Santopolo, executive editor at Penguin’s Philomel Books imprint, and Nancy Mercado, executive editor at Roaring Brook Press, (both pictured below) led workshops focusing on everything from plot development to finding inspiration to using acting exercises to develop a thorough understanding of your characters.  Oh, they were also fun and occasionally pretty darn hilarious!

Other great elements of this year's retreat were the intensive, small-group peer critiques; the fun of chatting with friends old and new at KidLit Drink Night; and, of course, the yummy meals.

Along with a couple of extra pounds, I took away two important notions from the weekend:

1-It is essential to have a deep and thorough understanding of your character and, as you review your manuscript, to make sure that every plot move is honestly motivated by what that character would do (and not by where you want the story to go).

2. Even the best character development wears thin if the story--the character's WANT--isn't introduced in a timely manner.  Here is where classic plotting structure and pacing must be examined even if you consider yourself a character-driven novelist.

Now, in all honesty, these are not things I didn't already know at some level.  But it was extremely helpful to hear intelligent, thoughtful editors revisit these critical notions.  I eagerly tried all the exercises and techniques they suggested to hone these elements of my novel and was so grateful for their fresh perpectives.

A truly wonderful weekend.

Friday, November 5, 2010

Fiction Friday: RETREAT, WRITER!

As you read this post, I'm likely en route to (or already at) an SCBWI weekend writing retreat. I am very excited to spend the weekend with fellow writers (and psyched to be rooming with one of my critique group pals). Honestly, having sold my first novel, I feel that it's more important than ever to keep honing my craft, to keep learning, to keep pushing to get better and better.

Hope you have a weekend full of writing inspiration.

Friday, October 15, 2010

Fiction Friday: FIRST PERSON

Ah, the great YA-first-person debate! Writers, bloggers, critics and every possible combination thereof have opined on the popularity of first person in YA literature. In last weekend's Wall Street Journal, Meghan Cox Gurdon reviewed and compared three first-person YA's in her "Children's Books Chronicle."

POV has been weighing on my mind particularly since ms I am revising is currently in third-person, past tense, but having some rocky moments. So this morning at Barnes & Noble, as I procrastinated about settling down for my writing time, I decided to read every first page on the YA new releases shelf (really one of my more epic avoidance efforts, still, an exercise both enlightening and fun). As I read, I discovered that, not just many but THE VAST MAJORITY of new YA novels begin, more-or-less, in the "I."

My upcoming novel is written in first person (also in verse) so I'm not throwing any stones here. But, as I read, I noticed that Leila Sales' charming debut, MOSTLY GOOD GIRLS is in first person, along with NYT best-sellers Gale Forman's IF I STAY, Ellen Hopkins' CRANK, and Stephenie Meyers' TWILIGHT. Perhaps its the pervasiveness of this POV that has, of late, lead a few literary heavy hitters to throw punches at the old "I." As a YA-writer, it's made me insecure.

However, the great gods of procrastination pointed my feet toward literary fiction where...guess what? Living-writer- legend Philip Roth's AMERICAN PASTORAL, Ernest Hemingway's THE SUN ALSO RISES, Arthur Conan Doyle's ADVENTURES OF SHERLOCK HOLMES, Joshua Ferris's satire THEN WE CAME TO THE END, the framing chapters of Isaac Asimov's I, ROBOT, and F. Scott Fitzgerald's THE GREAT GATSBY all sit happily on the shelves, snuggling first person narrators inside their jackets. So, is the "I" a YA trend?

Happily, I was able to pull myself away from the stacks and get back to wrestling with my mansucript before all that deep thought made me need to nap :) However, I remain at a point of intense conflict, currently writing in third person, past tense but feeling like my character wants to speak for herself--you know, back to the "I." No conclusions here. Just observations...and questions.